It’s in the Water, It’s Everywhere? 
2020 - OngoingHayy Jameel, Al Riwaq Art Space, NYUAD Art Gallery


I
(Fii Albahar Markooz, Kil Mahal Markooz?)
It’s in the Water, It’s Everywhere?
A series of walks, majlises, foraging and cooking. 

Commissioned by: Hayy Jameel, Jeddah and Delfina Foundation, London.
Part of the exhibition (Staple: What’s on our Plate?), and research lab.
Co-curated by Rahul Guddipudi and Dani Burrows.

(2020-ongoing)


The work is a research-based project around the ecologies and topographies of seafood in Bahrain, an archipelago of 33 natural islands, which owns more water than land. The project is specifically looking at the liminal space between land and sea in which sea life exists and can be easily accessed within a walking distance. (Be it collecting ‘Huwwait’, ‘Crabs’, or ‘Fish’ from fish traps). 

This human-scale food system existed because the shallow waters in the intertidal zones allowed for this liminal space to appear and disappear, giving constant and easy access to food. As a downside, shallow waters created an incentive for reclamation because of its low costs. The ecosystem of this liminal space and its access has been disrupted after reclamation and dredging. Besides, climate change and the rise in water is threatening many of those spaces and islands in the long run. In recent years, the country has seen a shift towards fish farming, portrayed as a solution to the deterioration and declination of seafood. This food system often changes the chronological order of ecologies (seasons of food) and requires energy for it to work.

The work is experiencing this liminal space through time at AlHalat, Halab, and Karbabad village. It includes:
- A community project: A series of walks in collaboration with the fisherman Abbas AlShajjar on the seabed followed by majlises, research exchange, poetry readings, cooking, and discussions around fish, food security, human-scale food systems, industrialized food systems, and the ecosystem.


II
(Fii Albahar Markooz, Kil Mahal Markooz?) II  
It’s in the Water, It’s Everywhere? II
Commissioned by: NYUAD Art Gallery, Abu Dhabi.
Part of the exhibition Between the Tides: A Gulf Quinquennial
Co-curated by: Maya Allison and Duygu Demir

(2025)





Umbrella Island is an island in Abu Dhabi that once carried another name—a name that has since disappeared from memories, mental geographies, and maps.

Approaching walking as a form of knowledge production and alternative learning, the walk and accompanying majlis (discussion) served as an attempt to collectively unravel layers of shared memory, knowledge, and history. It invited reflection on the presence and absence of spaces, names, and narratives, as well as the erasure of knowledge.

For the majlis, we were joined by Dr. Ghazi Almulaifi, an ethnomusicologist, who shared insights from his research into the pearl diving music of the Indian Ocean trade. He spoke in particular about indigenous ecological knowledge of the sea and contrasted it with Western orientalist perspectives, exemplified by Sons of Sinbad (1940) by Alan Villiers.

Another part of the majlis involved a collective reading of a passage by Qassim Haddad from his book Workshop of Hope, in which he writes about water’s role in daily life, as well as its presence in mythologies and ritual practices.

It was also a space for collective reflection on bodies of water and our own mental geographies.
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